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The dancers discover Tokyo's Bunka Kaikan theatre, the technicians try to make themselves understood by their Japanese colleagues, and time is running out as the premiere of Swan Lake approaches.
The mythical Boléro espouses Ravel’s eponymous score. Surrounded by dancers, alone on a table, the principal performer – male or female – is transported by the voluptuous rhythms into an erotic and hypnotic dance that is like a vibrant call to life.
For The Firebird, an ode to youth designed for the company’s dancers, the choreographer took up Stravinsky’s powerful score bringing out its quintessence.
Finally, Le Chant du compagnon errant, written for two male dancers, is an intimate work to a song cycle by Mahler highlighting all the rigour and grace of Béjart’s language.
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