Creation of the Paris Opera Junior Ballet - Ballet - Artists

Creation of the Paris Opera Junior Ballet

In May 2024, the Paris Opera announced the creation of its Junior Ballet.

This new company, composed of young artists aged 18 to 23 years old recruited for a period of two years on a professional training contract.

Conceived as an incubator for young talent, the Paris Opera Junior Ballet meets a number of challenges: diversifying the dancers' profiles, encouraging their professional integration, and strengthening its openness to the public through tours and mediation activities, while perpetuating the Paris Opera's tercentenary expertise.

The Junior Ballet is open to young dancers from all backgrounds and to students of the Paris Opera Ballet School who wish to complete their initial training.

Dancers of the Junior Ballet
Programming & tours
Objectives and how the Junior Ballet works
A project made possible by patronage

Following the Ballet's external competition on July 2^nd and 3^rd, 2024, 9 young female dancers and 9 young male dancers have been recruited to join the Junior Ballet as of the 2024/2025 season on a two-year professionalization contract. A further 6 new dancers will join in September 2025.

Throughout their training, they will deepen their mastery of the Paris Opera's classical and contemporary repertoires, and gain experience of the stage in live performances and on tour.

Under the direction of José Martinez, Director of Dance at the Paris Opera, the Junior Ballet will be supported by a dedicated artistic, teaching and administrative team.

The Junior Ballet program will alternate between training and performing on stage alongside the Ballet company. In its first season, it will perform The Sleeping Beauty at the Opéra Bastille, and on tour in France from May 2025.

The creation of the Junior Ballet has been made possible thanks to the commitment of corporate sponsors, private foundations and major donors, to whom the Opéra would like to express its gratitude, first and foremost CHANEL, Founding Patron of the Junior Ballet.

Female dancers

Ève Belguet, Française (École de Danse de l’OnP*)
Grace Boyd, Américaine (Boston Ballet II)
Angélique Brosse, Française (CDD dans le Ballet de l’OnP*)
Typhaine Gervais, Française (École de Danse de l’OnP*)
Yoon Seo Lee, Coréenne (Korean national university of Arts)
Shani Obadia, Française (CNSMDP**)
Laure Ravera, Française (École de Danse de l’OnP*)
India Shackel, Néo-Zélandaise (Australian Ballet School)
Natalie Vikner, Franco-suédoise (CNSMDP**)

Male dancers

Jaime Almaraz Baizán, Espagnol (Finnish National Ballet Youth Company)
Davide Alphandery, Italien (Scuola di Ballo dell' Accademia Teatro alla Scala)
Jansu Lee, Coréen (CDD dans le Ballet de l'OnP*)
Mei Matsunaga, Franco-Japonais (École de Danse de l’OnP*)
Sergio Napodano, Italien (Scuola di Ballo dell' Accademia Teatro alla Scala)
Isaac Petit, Français (CNSMDP**)
Emryck Sanchez-Raffy, Français (École de Danse de l’OnP*)
Santiago Sales Manzanera, Espagnol (CDD dans le Ballet de l'OnP*)
Jackson Smith-Leishman, Australien (Royal Ballet Upper School)

^{** Conservatoire National Supérieur de Musique et de Danse de Paris}

PROFESSIONAL INTEGRATION

The Junior Ballet project meets the Paris Opera's ambitions in terms of attractiveness and professional training. Conceived as a nursery for young talent, entry to the Junior Ballet offers dancers two years' qualifying training, financed and supervised by Afdas, enabling them to achieve a level equivalent to that of Quadrille and contributing to their employability. A genuine pathway to professional integration, the young talents will have the opportunity to join the Paris Opera Ballet on the basis of a competitive examination, or to pursue their careers in other national and international companies on completion of their training.

DIVERSIFICATION OF DANCER PROFILES AND CONTINUITY OF TRAINING AFTER DANCE SCHOOL

By giving a chance to talented dancers from all over the world, the Junior Ballet aims to diversify the profile of the dancers who perform on the stages of the Paris Opera, in line with the company's commitment to diversity and inclusion.

The Junior Ballet also represents an opportunity to confirm the links between the Ecole de Danse and the Ballet, and will provide additional training for Ecole de Danse students who are unable to join the Ballet at the end of their studies due to the highly selective internal and external entrance competitions.

PASSING ON OUR HERITAGE AND STIMULATING CONTEMPORARY CREATIVITY

The Junior Ballet's ambition is to train a generation of dancers in the Paris Opera's choreographic heritage through dedicated programming. The works on the Junior Ballet's program, drawn from a varied repertoire, will enable young dancers to strengthen their technique and the quality of their interpretation.

This special program enriches the Paris Opera's choreographic season by offering the public a technically lighter program, made up of repertory entries and contemporary creations specially devised by established artists or young creators. To encourage the virtuous circle of transmission and creation, retired dancers from the Paris Opera Ballet will be invited to create each year for the Junior Ballet.

DISTRIBUTION AND REGIONAL OUTREACH

The Junior Ballet's vocation is to contribute to the reputation of the Paris Opera through collaborations with cultural institutions in France and abroad. With its light, flexible structure, the Junior Ballet provides an opportunity to tour theaters and festivals.

Conceived as a tool for opening up to new audiences, Junior Ballet actively responds to the challenges of disseminating and mediating choreographic offerings. Thanks to its nationwide presence, attractive pricing policy and tailored programming, Junior Ballet aims to bring artists closer to a wider audience. In addition to its touring activities, Junior Ballet will offer artistic and cultural mediation initiatives throughout France (meetings, workshops, on-stage classes).

These encounters with young audiences in local areas will help to encourage vocations, enhance the School's appeal and diversify its recruitment pool.

For the start of the 24/25 season, the Junior Ballet will comprise 18 dancers aged 17 to 23, recruited following the Ballet's external competition on July 2 and 3, 2024.

They benefit from a two-year professionalization contract. From September 2025 onwards, a further 6 dancers will be recruited under the same conditions and for the same length of time. Eventually, the Junior Ballet will comprise 24 dancers.

THE JUNIOR BALLET PROGRAM ALTERNATES BETWEEN TRAINING AND PRACTICE PERIODS

The period from August to December 2024 will be a period of intensive training, with daily dance classes, learning sessions on works from the Junior Ballet repertoire, artistic workshops led by various dedicated contributors (pointe work, adage classes, choreographic workshops, improvisation workshops, various contemporary dance techniques, etc.) as well as themed training sessions.
This first quarter will be followed, from January to April 2025, by a period of immersion in the Ballet during rehearsals and performances of The Sleeping Beauty. From mid-March 2025, the young dancers will begin work on the tour program, which will start in May 2025.

THE JUNIOR BALLET IS SUPERVISED BY A DEDICATED ADMINISTRATIVE AND ARTISTIC TEAM ATTACHED TO THE DANCE DEPARTMENT, WHICH WILL BE RESPONSIBLE FOR THE DAY-TO-DAY RUNNING OF THE STRUCTURE.

Each Junior Ballet dancer is accompanied throughout his or her training by a pedagogical college made up of the Director of Dance, the Junior Ballet masters and a tutor. To monitor progress, each dancer is assessed three times during the season, in the presence of the Dance Director and Junior Ballet's Ballet Masters.
Junior Ballet dancers have access to personalized medical care provided by the Ballet's Medical Center team throughout their training. During their training, they have access to a daily care center, as well as physical preparation sessions several times a week before or after dance classes, to work on muscle strengthening, cardio-respiratory training, warm-ups and recovery.

Off-site calendar

The Paris Opera Junior Ballet will perform from May to August 2025 in 9 destinations in France and abroad. The Junior Ballet's 25/26 season will be announced at a later date.

MAY 2025
27, 28 : Athens, Greece (Athens Megaron Concert Hall)

JUNE 2025
06 : Saarbrücken, Germany (Musikfestspiele Saar)
12, 13, 14 : Versailles, France (Opéra Royal de Versailles)
19, 20 : London, United Kingdom (Linbury Theatre)

JULY 2025
16 : Vaison-la-Romaine, France (Festival Vaison Danses)
18 : Sisteron, France (Festival des Nuits de la Citadelle)
25 : Vichy, France (Opéra de Vichy)
29, 30 : Madrid, Espagne (Festival Veranos de la Villa)

AUGUST 2025
01 : Santander, Espagne (Palacio de los Festivales)

Off-site programming

ALLEGRO BRILLANTE - Duration 16 mins - For 10 dancers
Choreography: George Balanchine
Music: Piotr Ilyitch Tchaïkovski
Costumes: Barbara Karinska

CANTATE 51 - Duration 21 min - For 8 dancers
Choreography: Maurice Béjart
Music: Jean-Sébastian Bach
Costumes: Joëlle Roustan, Roger Bernard

REQUIEM FOR A ROSE - Duration 20 min - For 13 dancers
Choreography: Anabelle Lopez Ochoa
Music: Franz Schubert
Sound environment: Almar Kok
Costumes: Tatyana van Walsum

AUNIS* - Duration 12 mins - For 3 dancers
Choreography: Jacques Garnier
Music: Maurice Pacher

MI FAVORITA - Duration 28 min - For 18 dancers
Choreography: José Martinez
Music: Gaetano Donizetti
Costumes: Agnès Letestu

The Junior Ballet program is designed to provide progressive training for the dancers involved. Programming is by its very nature evolutionary, and will therefore be fine-tuned over the first few months to enable dancers to acquire the experience they need to take part in Ballet productions and go on tour in the second half of the season. Studying the Paris Opera repertoire is an essential step in familiarizing dancers with the choreographic know-how of the Paris Opera, and will enable them to learn to work as part of a collective as soon as they arrive. A number of excerpts from classical and contemporary works will be transmitted:

The Grand Pas Classique from Raymonda by Rudolf Noureev
Pas de six from La Vivandière by Pierre Lacotte
Pas de six from Napoli by Auguste Bournonville
Pas de Quatre from Swan Lake by Vladimir Bourmeister
Variations by Serge Lifar
Mi Favorita by José Martinez
Aunis by Jacques Garnier

The Junior Ballet will also study the works of great choreographers such as George Balanchine, William Forsythe and Uwe Scholz. Junior Ballet dancers will also have the opportunity to work with contemporary choreographers, with whom they will complete their training:

Requiem pour une Rose by Annabelle Lopez Ochoa
Claroscuro by Altea Nunez
Travellous by Iratxe Ansa and Igor Bacovich

During the second season, the Junior Ballet repertoire will be enriched by specially conceived creations by young choreographers such as Juliano Nicosia and Simone Valastro. At the end of this first training period, the Junior Ballet repertoire will be presented on tours, the schedule for which is currently being drawn up.

The Junior Ballet is already attracting considerable interest from regional cultural institutions and numerous summer festivals, which are ready to welcome it. Such is the case of the Opéra Royal de Versailles, where the young dancers will perform on June 12, 13 and 14, 2025.

To give concrete expression to their training and prepare them for their future careers, the Dance Direction will also offer young dancers the opportunity of real professional immersion, during one or two major productions per season, on the Garnier or Bastille stages.

From January to April 2025, the young dancers will perform with the Ballet in The Sleeping Beauty, choreographed by Rudolf Nureyev, and learn in real-life conditions alongside their elders.

The Junior Ballet would not have been possible without the support of generous patrons. The Association pour le Rayonnement de l'Opéra national de Paris (AROP) and the Paris Opera would like to extend their warmest thanks. Their contribution enables the institution to give life to a large-scale project, driven by the conviction, shared by these patrons, that everyone has a place at the Opera, and that it belongs to everyone.