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Selection from 4 shows
Selection from 4 shows
Selection from 6 shows

Emilie Brouchon / OnP

Emilie Brouchon / OnP

Opera

Un ballo in maschera

Giuseppe Verdi

Opéra Bastille

from 27 January to 26 February 2026

from €15 to €200

3h00 with 1 interval

Synopsis

Listen to the synopsis

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A masked ball may seem like the ultimate party venue, but its disguises and masks can also foster intrigue.

Verdi's opera was inspired by a true historical event: the assassination of King Gustav III of Sweden at a costume ball in 1792. But before setting this event to music, Verdi had to contend with the censors, scandalised by the idea of representing a regicide on stage.

His Masked Ball is therefore set in America and focuses on the impossible love between Riccardo, the governor of Boston, and Amelia, the wife of his best friend, who takes his revenge by killing him.

Blending frivolity and gravity, Verdi's music enjoyed huge success from its Rome premiere in 1859. Director Gilbert Deflo retains the American setting but moves it to the time of Lincoln, all the better to confront the world of reason and morality with that of intuition and belief.

Duration : 3h00 with 1 interval

Language : Italian

Surtitle : French / English

  • Opening

  • First part 95 min

  • Intermission 30 min

  • Second part 55 min

  • End

Show acts and characters

CHARACTERS

Riccardo: Count of Warwick, governor of Boston
Renato: Secretary and friend of Riccardo, Amelia’s husband
Amelia: Renato’s wife, secretly in love with Riccardo
Ulrica: A soothsayer
Oscar: Riccardo’s page
Samuel and Tom: Two conspirators, Riccardo’s enemies
Silvano: A sailor in the governor’s service

Act 1:
In Governor Riccardo Warwick’s council chamber, the people’s representatives prepare to petition him. Some sing his praises, others, led by the conspirators Tom and Samuel, dwell on their grievances against him. Oscar the page hands Riccardo the guest list for the next masked ball. Riccardo is disturbed to discover the name of Amelia, the wife of his friend and advisor, Renato. The latter arrives and informs Riccardo of the existence of a plot against him. Riccardo, however, refuses to hear the names of the conspirators: he believes that the love of his people will protect him. The Chief Judge demands exile for the witch Ulrica whom he believes guilty of commerce with Satan. Oscar takes up her defence and an intrigued Riccardo decides to see for himself. Despite Renato’s appeal for caution, he sets off to visit Ulrica, inviting all present to accompany him. Ulrica is invoking the Prince of Darkness when Riccardo, disguised as a fisherman, enters. For Silvano, a sailor, she predicts wealth and success. Riccardo discreetly slips an officer’s certificate into the young man’s pocket. The latter sings Ulrica’s praises with the people. Amelia’s servant requests a secret consultation for his mistress. Everyone leaves except for Riccardo who conceals himself. Amelia asks the prophetess to help her eradicate the guilty love in her heart. Ulrica advises Amelia to gather a herb that only grows at the foot of the gallows. Riccardo swears to follow her to the bleak location. Oscar and his companions enter. Riccardo slips amongst them and asks Ulrica to tell him his future. She refuses to reply. On Riccardo’s insistence, she finally tells him that he is soon to die: murdered by the first person to shake his hand. Riccardo extends his hand to everyone around him but all shrink away. Renato arrives and grasps Riccardo’s hand. Riccardo scoffs at the prediction: how could his best friend wish him any harm?

Act 2:
At midnight, Amelia arrives at the place indicated by Ulrica. As she begs heaven’s help, Riccardo arrives and reveals his love. In her torment, Amelia declares her mutual love. However their duet is interrupted by the arrival of Renato who has come to warn Riccardo that the conspirators will attempt to kill him that very night. Amelia has just the time to hide behind her veil. Renato urges his friend to flee. The latter makes him promise to escort his veiled companion to the city gates without looking at her. Renato promises but the conspirators’ arrival prevents him from keeping his pledge. The conspirators demand to see the face of the veiled lady accompanying the governor. Renato is appalled to discover his wife. Angered as much by his friend’s betrayal and his wife’s infidelity as by the conspirators’ taunts, he summons Samuel and Tom to his home the following day.

Act 3
Renato wants to kill Amelia to avenge his dishonour. She begs Renato to allow her to kiss her son one last time. Renato relents and Amelia leaves. Remaining alone, Renato expresses his fury against Riccardo. Samuel and Tom arrive. Each demands the right to kill Riccardo. Renato suggests they draw lots. Amelia, who comes to announce Oscar’s arrival, is forced to draw the ticket naming the killer: it is to be Renato. Oscar invites Renato and his wife to the masked ball that very evening. Amelia searches for a way to warn Riccardo without betraying her husband. Riccardo writes an edict sending Renato and Amelia abroad. It is the only way he can renounce the young woman. Oscar hands him a note brought by a masked woman. The message warns him of imminent danger. Riccardo, refusing to be taken for a coward, prepares for the ball. At the ball Renato recognizes Oscar behind his mask and tries to discover Riccardo’s whereabouts, claiming he has important revelations for the governor. Oscar describes Riccardo’s costume. A masked Amelia approaches Riccardo and urges him to flee. Riccardo tells her of his decision to send her away and they bid each other a final farewell. Renato appears and stabs him. The horrified crowd tries to seize the assassin but the dying Riccardo orders that Renato be left in freedom. Before dying, he forgives his assassin.

Artists

Melodramma in three acts (1859)

After Eugène Scribe, Gustave III ou le Bal masqué

Creative team

Cast

The Paris Opera Orchestra and Chorus

Media

UN BALLO IN MASCHERA by Giuseppe Verdi - TRAILER (english version)
UN BALLO IN MASCHERA by Giuseppe Verdi - TRAILER (english version)
  • Draw me A masked ball

    Draw me A masked ball

    Watch the video

© Pauline Andrieu

Draw me A masked ball

Watch the video

with Hop'éra!

1:25 min

Draw me A masked ball

By Pauline Andrieu

Access and services

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot
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In a masked ball, lightness and seriousness, insouciance and gravity rub shoulders. The place is one of celebration and disguise, but what happens there is tragic. The score embraces this play of contrasts, interweaving different genres: that of French grand opera associated with Meyerbeer, Halévy and Auber, and carried by the character of oscar, with that of Italian melodrama, of which Verdi was a master.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot
super alt text
super alt text
super alt text
super alt text
super alt text

In a masked ball, lightness and seriousness, insouciance and gravity rub shoulders. The place is one of celebration and disguise, but what happens there is tragic. The score embraces this play of contrasts, interweaving different genres: that of French grand opera associated with Meyerbeer, Halévy and Auber, and carried by the character of oscar, with that of Italian melodrama, of which Verdi was a master.

BUY THE PROGRAM
  • Cloakrooms

    Free cloakrooms are at your disposal. The comprehensive list of prohibited items is available here.

  • Bars

    Reservation of drinks and light refreshments for the intervals is possible online up to 24 hours prior to your visit, or at the bars before each performance.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

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