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Agathe Poupeney / OnP

Opera

Ariodante

Georg Friedrich Handel

Palais Garnier

from 16 September to 12 October 2025

from €50 to €220

3h55 with 2 intervals

Opera

Ariodante

11 performances

3h55 with 2 intervals

Up to -20% on this show.

16

Tuesday September

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
18

Thursday September

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
21

Sunday September

2 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
24

Wednesday September

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
26

Friday September

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
29

Monday September

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
01

Wednesday October

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
03

Friday October

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
07

Tuesday October

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
09

Thursday October

7 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €
12

Sunday October

2 pm

  • Optima 220 €
  • Cat. 1 200 €
  • Cat. 2 168 €
  • Cat. 3 95 €
  • Cat. 4 50 €
  • Cat. 5 25 €

Synopsis

Listen to the synopsis

0:00 / 0:00

How sweet life could be at the Scottish court! The king’s daughter, Ginevra, and Prince Ariodante love each other. Their marriage is soon to be celebrated. But this is without taking into account Polinesso’s diabolical plan. Thirsting for desire and power, he accuses the young woman of infidelity to tarnish her reputation and eliminate his rival.

Inspired by an episode from Ariosto’s Orlando furioso, George Frideric Handel created this opera seria at Covent Garden in 1735, brimming with sumptuous arias such as the famous lamento “Scherza infida”.

A connoisseur of the Baroque repertoire, Robert Carsen explores the characters’ psychology and reflects on power with a host of kilts, Celtic dances and nods to the current British royal family.

Duration : 3h55 with 2 intervals

Language : Italian

Surtitle : French / English

Show acts and characters

CHARACTERS

The King of Scotland: Ginevra’s father
Ginevra: Daughter of the King of Scotland, betrothed to Ariodante
Ariodante: Feudal Prince, Ginevra’s fiancé
Lurcanio: Ariodante’s brother, in love with Dalinda
Polinesso: Duke of Albany
Dalinda: Ginevra’s lady-in-waiting, secretly in love with Polinesso
Odoardo: King’s secretary  

First part

Act 1
Ginevra, daughter of the King of Scotland, tells her lady-in-waiting Dalinda that she and Prince Ariodante are in love. When Polinesso, the Duke of Albany, enters Ginevra’s bedroom unannounced and declares his love for her, Ginevra firmly rejects him. Dalinda tells Polinesso that since Ginevra loves Ariodante, the Duke should instead turn his attentions to her lady-in-waiting. Alone, Polinesso forms a plan to use Dalinda’s love for him to destroy Ariodante, marry Ginevra and gain the throne.

Ariodante and Ginevra are overjoyed when the King tells them not only that their wedding can take place the following day, but also that Ariodante is to inherit the throne. Polinesso lets Dalinda believe that he loves her, but only after she promises to appear later that night dressed in Ginevra’s clothes. Lurcanio, Ariodante’s brother, tells Dalinda that he is in love with her, but she tells him to look elsewhere. In the presence of the King and the entire court, Ariodante and Ginevra celebrate their future wedding.  

Second part

Act 2
Later that night, Polinesso questions Ariodante about his impending marriage, insinuating that he is already Ginevra’s lover. Ariodante challenges him to fight, but Polinesso tells the distraught prince to hide instead and observe Ginevra’s behavior. Ariodante is then horrified to see his fiancée, who is really Dalinda in disguise, invite Polinesso into her bedroom. Lurcanio has also been tricked by Polinesso’s mise‑en‑scène, and prevents his grief-stricken brother from killing himself. Polinesso gloats over the success of his plan. The next morning, the King’s private secretary Odoardo brings the news that Ariodante has drowned himself. When the King breaks the news to Ginevra, she collapses in grief and is carried from the room.

Lurcanio demands justice from the King. Claiming that Ginevra’s infidelity was the sole cause of his brother’s suicide, he declares that he will fight anyone who dares to defend her. When Ginevra appears, the King accuses her of immorality and refuses to speak to her. The grief-stricken Ginevra, shocked by the death of Ariodante and her father’s inexplicable rejection, loses her mind.  

Third part

Act 3
Ariodante has survived his suicide attempt and is lost in the forest. He saves Dalinda from assassins, hired by Polinesso to silence her. When Dalinda confesses that she disguised herself as Ginevra, Ariodante understands how Polinesso has manipulated them all. The King refuses to speak to his daughter until a champion can be found. Polinesso offers to defend Ginevra’s honour and fight Lurcanio. Brought before her father, Ginevra refuses to accept Polinesso as her champion, but the King insists on it. Lurcanio fights Polinesso, who is fatally wounded.

Ginevra’s cause seems lost when suddenly an unknown man enters to challenge Lurcanio: it is Ariodante. Odoardo prevents the two brothers from fighting, bringing news that Polinesso confessed to his crimes before dying. As the King leaves to find Ginevra, Ariodante rejoices. Dalinda, alone with Lurcanio, gladly accepts his love, and repents her past behaviour. Reunited with Ginevra, Ariodante begs forgiveness for having doubted her. The two brothers and their wives‑to-be celebrate their future together, leaving the court to rejoice in the happy ending.  

Artists

Opera in three acts (1735)

After Antonio Salvi - Ginevra, principessa di Scozia
Inspired by Ariosto - Orlando furioso

Creative team

Ensemble Pygmalion
The Paris Opera Chorus
Coproduction with the Metropolitan Opera, New-York

Media

ARIODANTE by Georg Friedrich Haendel - TRAILER (english version)
ARIODANTE by Georg Friedrich Haendel - TRAILER (english version)
  • Love and betrayal at the Scottish Court

    Love and betrayal at the Scottish Court

    Watch the video

  • Draw-me Ariodante

    Draw-me Ariodante

    Watch the video

  • Podcast Ariodante

    Podcast Ariodante

    Listen the podcast

Love and betrayal at the Scottish Court

Watch the video

Interview with the director Robert Carsen.

4:51 min

Love and betrayal at the Scottish Court

By Isabelle Stibbe

After Alcina, Robert Carsen directs a new production of Ariodante, composed the same year, 1735. Today, he discusses the expressivity and virtuosity of Handel's music. He highlights the clarity of the plot and the characters' psychological veracity as they confront each other at the Scottish court: Princess Ginevra, her fiancé Ariodante and his rival Polinesso.

© Matthieu Pajot

Draw-me Ariodante

Watch the video

Understand the plot in 1 minute

1:37 min

Draw-me Ariodante

By Matthieu Pajot

© plainpicture/Narratives/ Brent Darby

Podcast Ariodante

Listen the podcast

"Dance! Sing! 7 minutes at the Paris Opera" - by France Musique

Podcast Ariodante

By Jean-Baptiste Urbain

"Dance! Sing! 7 minutes at the Paris Opera" offers original incursions into the season thanks to broadcasts produced by France Musique and the Paris Opera.

For each opera or ballet production, Charlotte Landru-Chandès (opera) and Jean-Baptiste Urbain (dance), present the works and artists you are going to discover when you attend performances in our theatres.

  • [EXTRAIT] ARIODANTE de Haendel (Emily D'Angelo) - "Dopo Notte"
  • [EXTRAIT] ARIODANTE de Haendel (Olga Kulchynska) - "Il Mio Crudel Martoro"
  • [EXTRAIT] ARIODANTE de Haendel (Tamara Banjesevic) - "Se Tanto Piace Al Cor"
  • [EXTRAIT] ARIODANTE de Haendel (Matthew Brooke) - "Voli Colla Sua Tromba"
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • [EXTRAIT] ARIODANTE de Haendel (Emily D'Angelo) - "Dopo Notte"
  • [EXTRAIT] ARIODANTE de Haendel (Olga Kulchynska) - "Il Mio Crudel Martoro"
  • [EXTRAIT] ARIODANTE de Haendel (Tamara Banjesevic) - "Se Tanto Piace Al Cor"
  • [EXTRAIT] ARIODANTE de Haendel (Matthew Brooke) - "Voli Colla Sua Tromba"
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • [EXTRAIT] ARIODANTE de Georg Friedrich Haendel
  • Ariodante (saison 22/23) - Ouverture

  • Ariodante (saison 22/23) - Matthew Brooke (Il Re Di Scozia) - Voli Colla Sua Tromba

  • Ariodante (saison 22/23) - Eric Ferring (Lurcanio) - Del Mio Sol Vezzosi Rai

  • Ariodante (saison 22/23) - Emily D'Angelo (Ariodante)

  • Ariodante (saison 22/23) - Acte I

  • Ariodante (saison 22/23) - Emily D'Angelo (Ariodante) - Scherza Infida

  • Ariodante (saison 22/23) - Tamara Banjesevic (Dalinda) - Se Tanto Piace Al Cor

  • Ariodante (saison 22/23) - Christophe Dumaux (Polinesso) - Se L’inganno Sortisce Felice

  • Ariodante (saison 22/23) - Olga Kulchynska (Ginevra) - Il Mio Crudel Martoro

  • Ariodante (saison 22/23) - Emily D'Angelo (Ariodante) - Dopo Notte

  • Ariodante (saison 22/23) - Acte 2

Press

  • Everything is relevant and stimulating, right down to the improbable happy ending, which Carsen revisits with gleeful malice.

    Télérama, 2023
  • Every moment of this production is captivating, from the hordes of journalists and paparazzi stalking Princess Ginevra in Lady Di fashion, to the final surprises, all filled with redeeming humor.

    Olyrix, 2023
  • As a true opera director, Robert Carsen reminds those who still doubt that opera must always be an aesthetic shock as well as a total spectacle.

    ResMusica, 2023
  • At the Paris Opera, Robert Carsen crowns Ariodante.

    Le Monde, 2023
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Ariodante


Watch online the recording from season 22/23 on Paris Opera Play!


starring Matthew Brook, Olga Kulchynska, Emily D'Angelo, Eric Ferring, Christophe Dumaux...

7-DAY FREE TRIAL Free trial 7 days

Access and services

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Q-Park Edouard VII16 16, rue Bruno Coquatrix 75009 Paris

Book your parking spot
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Francophone and Francophile Canadian director Robert Carsen is renowned for his taste for the art of revisiting without distorting, bringing out a work’s contemporary resonances while preserving its timeless appeal. The question of theatrical artifice – exploited in Ariodante by Polinesso – and the power of the image particularly appeals to him.

BUY THE PROGRAM

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10:30 a.m. to 6 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

Palais Garnier

Place de l'Opéra

75009 Paris

Public transport

Underground Opéra (lignes 3, 7 et 8), Chaussée d’Antin (lignes 7 et 9), Madeleine (lignes 8 et 14), Auber (RER A)

Bus 20, 21, 27, 29, 32, 45, 52, 66, 68, 95, N15, N16

Calculate my route
Car park

Q-Park Edouard VII16 16, rue Bruno Coquatrix 75009 Paris

Book your parking spot
super alt text
super alt text
super alt text
super alt text
super alt text

Francophone and Francophile Canadian director Robert Carsen is renowned for his taste for the art of revisiting without distorting, bringing out a work’s contemporary resonances while preserving its timeless appeal. The question of theatrical artifice – exploited in Ariodante by Polinesso – and the power of the image particularly appeals to him.

BUY THE PROGRAM

At the Palais Garnier, buy €10 tickets for seats in the 6th category (very limited visibility, two tickets maximum per person) on the day of the performance at the Box offices.

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Palais Garnier
  • Every day from 10:30 a.m. to 6 p.m. and until performances end
  • Get in from Place de l’Opéra or from within the theatre’s public areas
  • For more information: +33 1 53 43 03 97

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Ariodante

Ariodante: the true/false story

Broken hearts, plotings and rivalry are the sweet blend infused in Handel’s opera. Can you unravel the true story of this Ariodante’s synopsis? Begin!

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