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Emma Birski / OnP

Opera

New

Wozzeck

Alban Berg

Opéra Bastille

from 10 to 30 March 2022

1h35 no interval

Synopsis

An indispensable piece of modern music and one of the most emblematic of the 20th century, Wozzeck is a dazzling piece. Adapting Georg Büchner’s play, Alban Berg managed to capture the social and psychological violence roiling the soldier Franz Wozzeck, with a force and precision rarely attained in opera. Browbeaten by the captain, exploited by the doctor, deceived by Marie, Wozzeck leads us to reflect on the most tragic effects of madness both on a isolated individual and on a group. This expressionist world blends just as strikingly into the staging of William Kentridge, one of the major visual artists of the contemporary scene. His drawings and videos appear to us like projections of Wozzeck’s imagination, exposing the horror of the First World War.

Duration : 1h35 no interval

Language : German

Surtitle : French / English

  • Opening

  • First part 95 min

  • End

Show acts and characters

CHARACTERS

Wozzeck: A psychologically fragile soldier exposed to persecution by his superiors
The Captain: The Captain of the garrison who enjoys humiliating Wozzeck
The Doctor: A sadistic tormentor who subjects Wozzeck to absurd experiments
Marie: Wozzeck’s mistress, with whom he has a child
The Drum-Major: A conceited fop who manages to seduce Marie
Andres: Wozzeck’s barrack-room friend
Margret: Marie’s neighbour

FIRST ACT

Scene I – The Captain is getting shaved by Wozzeck. He philosophises about eternity, the passage of time and his melancholy, whilst mocking Wozzeck’s simple-mindedness and reproaching him for having a son out of wedlock and for lacking a sense of right and wrong. Wozzeck recognises that he is not very self-disciplined and that he is too poor to have a sense of right and wrong. The Captain says that Wozzeck is a good fellow, but that he thinks too much.

Scene II – Andres, a friend of Wozzeck, tries to entertain him with a song, but Wozzeck is immersed in obscure hallucinations.

Scene III – Marie watches a military parade pass by and cannot take her eyes off a drum-major. Her neighbour Margret watches on with amusement. Marie finds herself alone with her child – Wozzeck’s son. She sings him a lullaby. Wozzeck arrives. Marie tries to make him take an interest in the child but he is still captivated by his unwholesome visions and appears not to notice his son. He talks in riddles, quotes the Bible and soon leaves.

Scene IV – Wozzeck earns a little money by submitting himself to the Doctor’s experiments. The latter prescribes Wozzeck a strange diet and predicts he will lose his mind if he continues to surrender to his obsessions. At the same time though, he pays Wozzeck to keep following his obsessions as his case is interesting from a medical point of view.


SECOND ACT

Scene I – Marie gazes at the earrings that the drum-major has given her. She tells Wozzeck that she has found them. An incredulous Wozzeck gives her his pay and goes out again, leaving her alone with her remorse.

Scene II – The Captain and the Doctor meet. The Doctor comments on the Captain’s face that reveals his hypertension, and predicts serious health problems for him. Wozzeck arrives and tells them of his doubts about Marie’s fidelity. The Doctor takes his pulse to see if his blood pressure changes when he gets agitated.

Scene III – Wozzeck and Marie meet. In veiled terms, he tells her that he can see no sin in her face. Marie refuses to let him touch her: “Sooner a knife in my body than your hand on me”. Wozzeck seems possessed by the notion that Marie has been unfaithful.

Scene IV – The drum-major dances with Marie in front of Wozzeck. A song strikes up. A drunkard delivers a strange sermon. A madman approaches Wozzeck and tells him that he can smell blood.

Scene V – Haunted by the image of Marie dancing in the arms of the drum-major, Wozzeck is unable to sleep. He decides to confide in Andres. The drum-major appears, boasts of his conquest and provokes Wozzeck.


THIRD ACT

Scene I – Marie reads the story of Mary Magdalene in the Bible. She interrupts her reading to tell her son a story and then begs for God’s mercy.

Scene II – Wozzeck holds Marie back to talk about the time they have spent together. He thinks he can see a red moon rising. The vision makes him think of blood and he kills her.Scene III – Wozzeck talks to Margret and asks her to sing

Scene III – Wozzeck talks to Margret and asks her to sing him a song, but she notices bloodstains on his hand and arm. Her cries alert the neighbourhood. People arrive and begin to ask questions. Wozzeck offers vague explanations and finally flees.

Scene IV – Wozzeck returns to the spot where he murdered Marie. He hopes to find the weapon that could betray him. He retrieves it and throws it further away. Suddenly, seeing blood everywhere, he is seized by a desire to wash it away. The Captain and the Doctor hear moans. Rather than find themselves in a disagreeable situation, they prefer to move away.

Scene V – Children are playing. They shout to Marie’s son that his mother is dead. The little boy does not react. He sings a song and continues playing.

Artists

Opera in three acts
After Georg Büchner, Woyzeck

Creative team

Cast

Orchestre et Choeurs de l’Opéra national de Paris
Maîtrise des Hauts-de-Seine / Choeur d’enfants de l’Opéra national de Paris

Production Salzburger Festspiele, Metropolitan Opera, New York, Canadian Opera Company, Toronto, Opera australia

Media

  • Wozzeck's sonorous beauty

    Wozzeck's sonorous beauty

    Watch the video

  • Draw-me Wozzeck

    Draw-me Wozzeck

    Watch the video

  • Podcast Wozzeck

    Podcast Wozzeck

    Listen the podcast

  • Like a premonition of the First World War

    Like a premonition of the First World War

    Watch the video

© Simon Fowler / OnP

Wozzeck's sonorous beauty

Watch the video

Susanna Mälkki conducts Alban Berg

6:31 min

Wozzeck's sonorous beauty

By Antony Desvaux

As William Kentridge's staging of Wozzeck enters the Paris Opera repertoire, Octave magazine talks to Susanna Mälkki. The conductor discusses Georg Büchner’s play used by Alban Berg to compose his opera. She explains how Berg characterised the characters by assigning them motifs and musical forms relating to the work's dramaturgical sense. In addition to its rich construction, Susanna Mälkki emphasises the score's sonorous beauty.

Draw-me Wozzeck

Watch the video

Understand the plot in 1 minute

1:39 min

Draw-me Wozzeck

By Octave

An indispensable piece of modern music and one of the most emblematic of the 20th century, Wozzeck is a dazzling piece. Adapting Georg Büchner’s play, Alban Berg managed to capture the social and psychological violence roiling the soldier Franz Wozzeck, with a force and precision rarely attained in opera. Browbeaten by the captain, exploited by the doctor, deceived by Marie, Wozzeck leads us to reflect on the most tragic effects of madness both on a isolated individual and on a group. This expressionist world blends just as strikingly into the staging of William Kentridge, one of the major visual artists of the contemporary scene. His drawings and videos appear to us like projections of Wozzeck’s imagination, exposing the horror of the First World War.  


© Agathe Poupeney / OnP

Podcast Wozzeck

Listen the podcast

"Dance! Sing! 7 minutes at the Paris Opera" - by France Musique

07 min

Podcast Wozzeck

By Charlotte Landru-Chandès

"Dance! Sing! 7 minutes at the Paris Opera" offers original incursions into the season thanks to broadcasts produced by France Musique and the Paris Opera. For each opera or ballet production, Charlotte Landru-Chandès (opera) and Jean-Baptiste Urbain (dance), present the works and artists you are going to discover when you attend performances in our theatres.

© Agathe Poupeney/OnP

Like a premonition of the First World War

Watch the video

Interview with William Kentridge

5:30 min

Like a premonition of the First World War

By Solène Souriau

Invited for the first time to the Paris Opera, the South African director William Kentridge explores Wozzeck, Alban Berg's major work inspired by Georg Büchner's play. In this interview, he discusses the reasons and themes that led him to transpose the opera during the First World War.  

Playlist

  • [TRAILER] WOZZECK by Alban Berg
  • [EXTRAIT] WOZZECK by Alban Berg (Johan Reuter & Eva‑Maria Westbroek)
  • [EXTRAIT] WOZZECK by Alban Berg (Eva‑Maria Westbroek)
  • [EXTRAIT] WOZZECK by Alban Berg (Eva‑Maria Westbroek)
  • Wozzeck (saison 21/22) - Acte 1 (Falk Struckmann, Johan Reuter)

  • Wozzeck (saison 21/22) - Acte 1 (Eva‑Maria Westbroek)

  • Wozzeck (saison 21/22) - Acte 1(Eva‑Maria Westbroek, Johan Reuter)

  • Wozzeck (saison 21/22) - Acte 2 (Gerhard Siegel, Falk Struckmann, Johan Reuter)

  • Wozzeck (saison 21/22) - Acte 2 (Maria Westbroek)

  • Wozzeck (saison 21/22) - Acte 3 (Eva‑Maria Westbroek)

Access and services

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

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