My special offers

Prices

    0
    300
    0€
    300€

Show / Event

Venue

Experience

Calendar

  • Between   and 

Emma Birski / OnP

Opera

La Khovantchina

Modeste Petrovitch Moussorgski

Opéra Bastille

from 26 January to 18 February 2022

3h50 with 2 intervals

La Khovantchina

Opéra Bastille - from 26 January to 18 February 2022

Synopsis

In the wake of Boris Godunov, Mussorgsky continued to explore and examine Russian history. He drew inspiration for this opera from the Moscow uprising of 1682, the year in which Peter the Great was crowned tsar. Whilst hoping to reform Russia, he runs into resistance from the nobility and the Church – the former led by Prince Ivan Khovansky, and the latter represented by the Old Believers and their leader Dosifey. Mussorgsky graced this dark page of history with the most fascinating score imaginable whose hauntingly sombre tones seem to rise out of the depths of time. With its extravagant costumes and monumental sets Andrei Serban’s production plunges us into the feudal Russia of the 17th century.

Duration : 3h50 with 2 intervals

Language : Russian

Surtitle : French / English

  • Opening

  • First part 50 min

  • Intermission 20 min

  • Second part 75 min

  • Intermission 20 min

  • Third part 65 min

  • End

Show acts and characters

CHARACTERS

Prince Ivan Khovansky: Leader of the Streltsy, a rebellious Russian military corps
Prince Andrei Khovansky: Son of Prince Ivan Khovansky, who wishes to place him on the throne
Prince Vassili Golitsyne: Former lover of the Tsarina
Dosifei: Leader of the Old Believers and ally of the Streltsy
Marfa: Andrei’s former mistress who became an Old Believer
Emma: A young German girl with whom Andrei is in love
Susanna: An Old Believer
Varsonofiev: Golitsyn’s confidant

Act I
Daybreak in Red Square, Moscow

Kuzka, one of the Streltsy, has fallen asleep whilst on guard. Still drowsy as he awakens, he starts to sing. Just then, two of his comrades arrive. They mock him and, as a foretaste of the struggle which is tearing the country apart, they boast about the atrocities they committed the day before. A clerk enters. He is approached by Shaklovity a Russian boyar (or nobleman), who asks him to write an anonymous letter to the supreme authorities accusing Prince Ivan Khovansky, leader of the Streltsy, of wanting to sow discord in the country in order to put his son Andrei on the throne. The clerk agrees to write the letter in exchange for a sum of money. A group of Muscovites notice some inscriptions on a pillar. They oblige the clerk to read the words to them: the inscription announces the numerous deportations and executions carried out by the Streltsy. When Ivan Khovansky (known as the “white swan”) arrives, he is acclaimed by the crowd. He assures them that he will fight against the treachery born of the new ideas which are wreaking havoc in Russia. After ordering the Streltsy to patrol the city, he leaves, accompanied by his retinue. Just then, Emma, a young German woman appears, pursued by an insistent Prince Andrei Khovansky. Just as the latter is about to kiss her by force, Marfa, a young widow from the sect of Old Believers, intervenes. Marfa, who also happens to be Andrei’s former mistress, reproaches the Prince for his treachery and demands that he let Emma go. Enraged, the young man tries to stab her, but Marfa manages to fend off the attack. Prince Ivan’s timely return puts an end to the confrontation. But a new dispute erupts, this time between father and son, because Ivan, too, has designs on Emma. When he orders his guards to seize her, Andrei threatens to kill her rather than hand her over to the Streltsy. The arrival of Dosifei prevents Andrei from carrying out his threat. The leader of the Old Believers entrusts Marfa with Emma’s protection and implores Khovansky and the Streltsy to save the old faith. As the latter return to the Kremlin, Dosifei and his followers beseech the Lord.

Act II
The palace of Prince Golitsyn, former lover of the tsarevna

The Prince reads a letter from Sophia, but he remains suspicious: the impassioned appeal that she has made to him may be nothing more than a trap. Varsonofiev, one of his loyal lieutenants, interrupts the Prince’s reflections and shows in Marfa, whom the Prince has summoned to reveal the future to him. Leaning over a bowl of water, she invokes the spirits and predicts misfortune, disgrace and exile for Golitsyn. Furious, the Prince dismisses her and orders Varsonofiev to drown her in the marshes. Left alone, Golitsyn is overcome by despair. Just then, Ivan Khovansky arrives. He reproaches the Prince for seeking to assume too much power. The discussion becomes more and more heated, but the arrival of Dosifei calms the situation. He asks the two adversaries to focus anew on their old causes and to find a solution to save Russia from the reforms introduced by Tsar Peter. The dispute flares up again when the chanting of a passing procession of Old Believers rings out in the distance. Khovansky applauds them while Golitsyn dismisses them as mere sectarian fanatics. Just then, Marfa bursts in and recounts how she was attacked by one of Golitsyn’s servants in the marshes at Belgorod. It is thanks only to the intervention of the Petrovsky, Tsar Peter’s troops, that she was saved. Shaklovity appears. He announces that the Khovanskys have been accused of conspiring against the throne, and that Tsar Peter, who has called the conspiring plotters the “Khovanshchina”, has ordered their arrest.

Act III
The Streltsy district, on the other side of the Moskva river

The Old Believers strike up a song castigating heresy. Alone, near the home of Khovansky, Marfa dreams of her love for Andrei, who betrayed her, and has a vision of the pyre on which she and her lover will die. Susanna, one of the Old Believers, condemns her impious love and accuses her of diabolical intrigues. Dosifei intervenes and sends Susanna away. He consoles Marfa and advises her to forget her pain by devoting herself entirely to struggle for the good of her country. Shaklovity passes through the district. He prays for God to give Russia a Tsar who will relieve the country of its misery. A mob of drunken Streltsy burst on the scene. As they sing and dance they are chased and insulted by their furious wives. To calm everyone, Kuzka, the Streltsy guard, sings the ballad of Scandal. However the festivities are short lived. Just then, an out-of-breath scribe arrives and announces to the Streltsy that the Petrovsky are attacking the Streltsy’s women and children. The Streltsy call Prince Ivan and demand that he lead the combat. But their chief advises them to return home and wait to see what the future may hold.

Act IV
The home of prince Khovansky.

The prince is dining. His peasants try to entertain him with songs. An envoy from Golitsyn enters and warns him that his life is in danger. Furious at being disturbed at home with such threats, Khovansky has the messenger punished and summons his Persian slaves to dance for him. The dance is interrupted by the arrival of Shaklovity. The latter asks him to participate in the emergency Grand Council which has been convened by Tsarevna Sophia. Flattered, the Prince puts on his ceremonial uniform. However, as soon as he steps over the threshold, he falls, assasinated. The square in front of Saint Basil the Blessed, Moscow The people gather to see Golitsyn pass as he is sent off into exile in some distant land. Dosifei mourns the loss of two great noblemen: Khovansky and Golitsyn. Marfa informs Dosifei of the Grand Council’s decision: the Petrovsky have received the order to exterminate the Old Believers. Andrei arrives in haste. He accuses Marfa of having taken Emma, the woman he loves, away from him. Marfa responds by telling him that the young woman is now far away and that she more than likely has rejoined her fiancé, the fiancé that Andrei exiled. Andrei, wanting her arrested as a witch, summons the Streltsy. But his call is answered by the Tsar’s soldiers as they leave the Kremlin, leading the Streltsy off to execution. Andrei implores Marfa to save him and she leads him to safety. While the crowd demand the death of the Streltsy, the herald announces that they have been pardoned.

Act V
A pine forest near Moscow

Dosifei announces to the Old Believers that their cause is lost. He calls on them to be firm in their faith, and to die rather than surrender. Marfa, who still loves Andrei, would like to save him from perjury. Just then, the latter arrives and seeks support from Marfa. She consoles him by evoking their former love. The distant trumpets of the guard announce Peter’s advancing troops. On hearing the signal, Dosifei and the Old Believers erect a funeral pyre and clamber on it with candles in their hands. Marfa sets the bonfire ablaze with her candle. When the Tsar’s soldiers arrive on the scene, they watch on in horror as the Old Believers perish in the flames.

Artists

Opera in five acts

Creative team

Cast

Orchestre et Choeurs de l’Opéra national de Paris
Maîtrise des Hauts-de-Seine / Choeur d’enfants de l’Opéra national de Paris

Coproduction avec le Teatro del Maggio musiacle Fiorentino

Media

  • Draw-me La Khovantchina

    Draw-me La Khovantchina

    Watch the video

  • Mussorgsky, folklorist and modernist

    Mussorgsky, folklorist and modernist

    Watch the video

  • A clairvoyant heroine

    A clairvoyant heroine

    Watch the video

  • Podcast La Khovantchina

    Podcast La Khovantchina

    Listen the podcast

  • Imaginaries La Khovantchina

    Imaginaries La Khovantchina

    Watch the video

Draw-me La Khovantchina

Watch the video

Understand the plot in 1 minute

1:51 min

Draw-me La Khovantchina

By Octave

To explore and examine Russian history. He drew inspiration for this opera from the Moscow uprising of 1682, the year in which Peter the Great was crowned tsar. Whilst hoping to reform Russia, he runs into resistance from the nobility and the Church – the former led by Prince Ivan Khovansky, and the latter represented by the Old Believers and their leader Dosifey. Mussorgsky graced this dark page of history with the most fascinating score imaginable whose hauntingly sombre tones seem to rise out of the depths of time. With its extravagant costumes and monumental sets Andrei Serban’s production plunges us into the feudal Russia of the 17th century.  


Playlist

© Guergana Damianova / OnP

Mussorgsky, folklorist and modernist

Watch the video

An interview with Hartmut Haenchen on the subject of Khovantchina

6:56 min

Mussorgsky, folklorist and modernist

By Marion Mirande

On the occasion of the production of Khovanchina that he is conducting at the Opéra Bastille, Hartmut Haenchen talks about this great musical fresco and discusses the unique place occupied by its composer, Modest Mussorgsky, in the history of Russian art.    

© Guergana Damianova / OnP

A clairvoyant heroine

Watch the video

Interview with Anita Rachvelishvili

7:13 min

A clairvoyant heroine

By Marion Mirande

In Modest Mussorgsky's Khovantchina, the female character of Marfa embodies a range of attributes whose ambivalence contributes to her richness. A formidable role for a great mezzo that requires a keen grasp of its Russianness, and which Anita Rachvelishvili approaches with insight. 

© Guergana Damianova / OnP

Podcast La Khovantchina

Listen the podcast

"Dance! Sing! 7 minutes at the Paris Opera" - by France Musique

Podcast La Khovantchina

By Charlotte Landru-Chandès

"Dance! Sing! 7 minutes at the Paris Opera" offers original incursions into the season thanks to broadcasts produced by France Musique and the Paris Opera. For each opera or ballet production, Charlotte Landru-Chandès (opera) and Jean-Baptiste Urbain (dance), present the works and artists you are going to discover when you attend performances in our theatres.

Playlist

Imaginaries La Khovantchina

Watch the video

A repertoire work narrated in a visual poem born of popular culture

1:07 min

Imaginaries La Khovantchina

By Marc de Pierrefeu

La Khovantchina by Modeste Petrovitch Moussorgski, from 26 January to 18 February 2022 at the Opera Bastille.

Playlist

  • [TRAILER] LA KHOVANTCHINA by Modeste Petrovtich Moussorgski
  • [EXTRAIT] LA KHOVANTCHINA by Modeste Petrovitch Moussorgski
  • [EXTRAIT] LA KHOVANTCHINA by Modeste Petrovitch Moussorgski (Dmitry Belosseslkiy)
  • [EXTRAIT] LA KHOVANTCHINA by Modeste Petrovitch Moussorgski
  • [EXTRAIT] LA KHOVANTCHINA by Modeste Petrovitch Moussorgski (Dimitry Ivashchenko)
  • [EXTRAIT] LA KHOVANTCHINA by Modeste Petrovitch Moussorgski (Anita Rachvelishvili)
  • La Khovantchina (saison 21/22) - Acte3 (Dimitry Ivashchenko)

  • La Khovantchina (saison 21/22) - Acte2 (Anita Rachvelishvili)

  • La Khovantchina (saison 21/22) - Acte1 (Dmitry Belosseslkiy, Dimitry Ivashchenko)

  • La Khovantchina (saison 21/22) - Acte5 (Dmitry Belosseslkiy)

  • La Khovantchina (saison 21/22) - Acte II(Dmitry Belosseslkiy, John Daszak Dimitry Ivashchenko)

Access and services

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Opéra Bastille

Place de la Bastille

75012 Paris

Public transport

Underground Bastille (lignes 1, 5 et 8), Gare de Lyon (RER)

Bus 29, 69, 76, 86, 87, 91, N01, N02, N11, N16

Calculate my route
Car park

Q-Park Opéra Bastille 34, rue de Lyon 75012 Paris

Book your parking spot

In both our venues, discounted tickets are sold at the box offices from 30 minutes before the show:

  • €35 tickets for under-28s, unemployed people (with documentary proof less than 3 months old) and senior citizens over 65 with non-taxable income (proof of tax exemption for the current year required)
  • €70 tickets for senior citizens over 65

Get samples of the operas and ballets at the Paris Opera gift shops: programmes, books, recordings, and also stationery, jewellery, shirts, homeware and honey from Paris Opera.

Opéra Bastille
  • Open 1h before performances and until performances end
  • Get in from within the theatre’s public areas
  • For more information: +33 1 40 01 17 82

Immerse in the Paris Opera universe

Follow us

Back to top