Lucie Mazières Scénographe

With a passion for literature and art history, Lucie discovered theater at the Université Paris VII, from which she graduated. She trained in set and costume design at the Institut d'Etude Théâtrale, Sorbonne Nouvelle and Ecole Duperré with Claire Chavanne and Sylvie Skinazi. In 2019, she will be assisting Alexandre de Dardel with set design on Stéphane Braunschweig's Oncle Vania at the Théâtre des Nations in Moscow. In the same year, she takes part in the French Pavilion at the Quadriennale de Scénographie in Prague, alongside Philippe Quesne. In 2023, she was dramaturgical assistant and artistic collaborator on Garance Bonotto's Pink Machine (Cie 1% artistique) at the CDN de Rouen and on tour. That same year, she designed the set for Des gosses by Janice Szczypawka at Théâtre de la maison d'Elsa.

Since 2020, she has collaborated with Victoria Sitjà as set and costume designer on Après la fatigue du jour and Looking for Bernstein at the Académie de l'Opéra national de Paris, and Actéon ou le triomphe de la vacuité with the Maîtrise de Radio France. She is currently working on the set design for Marie coeur-de-truie by Mathilde Courcol-Rozès and Dégât des eaux by Cie 1% artistique.

In September 2025, she will design the scenography for the 150th anniversary Gala of the Palais Garnier directed by Victoria Sitjà, the scenography and costumes for bonnes une directed by Louise Herrero at the Théâtre de l'Étoile du Nord and Théâtre de la Tempête, and the scenography for L'Isola disabitata directed by Simon Valastro with artists in residence at the Académie de l'Opéra national de Paris.