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Lucie Mazières
Scénographe
© Julie Mitchell
Biography
With a passion for literature and art history, Lucie Mazières discovered theater at the Université Paris VII, where she graduated. She trained in set and costume design at the Institut d'études théâtrales de la Sorbonne Nouvelle and at the École Duperré with Claire Chavanne and Sylvie Skinazi. In 2019, she assists Alexandre de Dardel in the set design of Stéphane Braunschweig's Oncle Vania at the Théâtre des Nations in Moscow. In the same year, she collaborated with Philippe Quesne on the French Pavilion at the Quadriennale de scénographie in Prague.
In 2023, she was dramaturgical assistant and artistic collaborator for Garance Bonotto's Pink Machine (Compagnie 1% artistique) at the Centre dramatique national de Rouen and on tour. She also designed the set for Janice Szczypawka's Des gosses at the Théâtre de la Maison d'Elsa.
Since 2020, Lucie Mazières has collaborated with Victoria Sitjà as set and costume designer for Après la fatigue du jour and Looking for Bernstein at the Académie de l'Opéra national de Paris. More recently, she designed the sets for Marie Cœur-de-truie by Mathilde Courcol-Rozès and Dégât des eaux by the Compagnie 1% artistique.
In the 2024-2025 season, she will design the sets and costumes for bonnes, directed by Louise Herrero, at the Théâtre L'Étoile du Nord and the Théâtre de la Tempête, and, at the Académie de l'Opéra national de Paris, the sets and costumes for Actéon (with the Maîtrise de Radio France), directed by Victoria Sitjà, and the sets for L'Isola disabitata, directed by Simon Valastro.
At the Opéra national de Paris (Amphithéâtre Olivier Messiaen): Après la fatigue du jour, 2022; In Search of Bernstein, 2023; Actéon, 2024.
Currently in
- Amphithéâtre Olivier Messiaen
- from 11 to 21 March 2025
