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© Bernard Martinez
After studying in London, Laurent Naouri was soon invited to perform on numerous international stages. His repertoire includes some forty roles, from early Baroque to contemporary operas. Several incarnations have marked his career: the Four Devils in Les Contes d'Hoffmann in Madrid, Orange, Milan, Barcelona, New York and Aix-en-Provence, Golaud (Pelléas et Mélisande) at the Théâtre des Champs-Élysées, in Glasgow, Salzburg, Berlin, Madrid, Barcelona, Los Angeles and most recently in Aix-en-Provence, Count Almaviva (The Marriage of Figaro) in Aix-en-Provence and Tokyo, the title role in Falstaff in Lyon, Santa Fe and Glyndebourne, Sharpless (Madame Butterfly) at the Metropolitan Opera in New York, and Germont (La Traviata) in Santa Fe, Tokyo, Dallas and at the Théâtre des Champs-Élysées.
He sang the role of Fieramosca (Benvenuto Cellini) in Amsterdam, the Marquis de La Force (Dialogues des carmélites) at Munich's Bayerische Staatsoper, Ruprecht (L'Ange de feu) at Opéra national de Lyon, Capulet (Roméo et Juliette), Pandolfe (Cendrillon) and the Marquis de La Force at New York's Metropolitan Opera, Don Gaspar (L'Ange de Nisida) in London, Mamma Agata (Viva la Mamma) at Opéra national de Lyon and Grand Théâtre de Genève, the title role in Don Pasquale in Tours and Dijon, Baron Scarpia (Tosca) at La Monnaie in Brussels, Don Alfonso (Così fan tutte) at Théâtre des Champs-Élysées and Caen, and Des Grieux (Manon) at Gran Teatre del Liceu in Barcelona. In the 2024-2025 season, he will perform the role of Hamm (Fin de partie) in Berlin and the baritone part in Frank Martin's In terra pax in Munich.
At the Opéra national de Paris: participation in numerous productions since 1994, including Manon (Des Grieux), 1997, 1998; Platée (Citheron / un sathyre), 1999, 2002; L'Élixir d'amour (Belcore), 2006, 2007 ; Madame Butterfly (Sharpless), 2019; Œdipe (the High Priest), 2021; Roméo et Juliette (Capulet), 2023; Don Pasquale (title role), 2023; Cendrillon (Pandolfe), 2023; Médée (Créon), 2024
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