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Laurent Laberdesque Baritone
© Christophe Pelé / OnP
Biography
Laurent Laberdesque began his musical training at the age of six, learning to play the trumpet. After obtaining his diploma at the Conservatory of Pau, he turned to he started taking voice lessons. In 2007, he was accepted into the Conservatoire National Supérieur de Musique de Paris (CNSM), where he took part in numerous masterclasses with distinguished artists, including Robert Massard, Sylvia Sass, and Margreet Honig.
During his studies, he performed in several operas, including Carmen (as Moralès and Le Dancaïre), La Traviata (as Baron Douphol), and Dialogues des Carmélites (as the Jailer). In 2009, he played Figaro in Le nozze di Figaro at the Cité de la Musique. He has also appeared in a variety of operettas, such as L’Amour masqué by Messager (as Baron d’Agnot), The Merry Widow (as Danilo), and La Périchole (as Panatellas).
In 2011, he made his debut at the Opéra National de Lyon in Tristan und Isolde (as the Steersman) and participated in the world premiere of Levinas’s La Métamorphose (as the Tenant) at the Opéra de Lille. He also performed the role of Slook in La Cambiale di Matrimonio at the Auditorium Saint-Germain in Paris.
He regularly performs in recitals, presenting works such as L’Horizon chimérique by Fauré, Quatre Poèmes by Ropartz, Chansons de Don Quichotte by Ibert, and Kindertotenlieder by Mahler, as well as in sacred music programs including Petite Messe Solennelle by Rossini, Mass in G by Schubert, Missa Brevis by Mozart, Harmoniemesse by Haydn, motets by Lully, and the role of Jesus in Liszt’s Via Crucis.
In 2013, Laurent Laberdesque joined the Paris Opera Chorus.
At the Paris Opera: The Tales of Hoffmann (Hermann), 2016; The Barber of Seville (an Officer), 2016; Der Rosenkavalier (a House Servant), 2016; Lohengrin (a Brabantine Noble), 2017; La Forza del Destino (a Surgeon), 2019; Manon (Second Guard), 2020, 2022; Cinderella (the Superintendent of Pleasures), 2023.
