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© Olivier Metzger
Julie Fuchs began her training studying theatre and music in Avignon and was unanimously awarded First Singing Prize with the Jury’s honours at the Conservatoire National Supérieur de Musique in Paris. She won Second Prize at the 2013 Operalia competition and received three awards at the Victoires de la Musique in 2012, 2014 and 2021.
Last seasons’ highlights include Marie (La Fille du régiment) at Staatsoper, Vienna, Poppea (L’incoronazione di Poppea) and Norina (Don Pasquale) at Opernhaus Zurich, Fiorilla ( Il turco in Italia) at Teatro di San Carlo, Naples, Mélisande (Pelléas et Mélisande) at Gran Teatre del Liceu, Barcelona, Leïla (Les Pêcheurs de perles) at Théâtre des Champs-Élysées, Countess Adèle de Formoutiers (Le Comte Ory) at Opéra Comique and Rossini Festival in Pesaro, Guinia (Lucio Silla) at Teatro Real, Madrid, Musetta (La Bohème) at Bayerische Staatsoper, Munich, Susanna (Le Nozze di Figaro) at Aix-en-Provence Festival and Teatro Real in Madrid, Aspasia (Mitridate, re di Ponto) with the Musiciens du Louvre and Marc Minkowski.
For the 2023/24 season, she will make her debut in the title role of Partenope at San Francisco Opera and as Gilda (Rigoletto) at Teatro Real in Madrid. She will also appear in a series of concerts in Europe.
Her discography features a recording of songs by Mahler and Debussy, a disc of songs by Poulenc, a live recording of Leïla in Les pêcheurs de perles, and a studio recording of Mitridate, re di Ponto (Aspasia). She previously released two solo albums for Deutsche Grammophon label: Yes! (2015) and Mademoiselle (2019), and for Sony with Amadè (2022).
In 2021, she was made Chevalier de l’ordre des Arts et des Lettres.
At the Paris Opera: Platée (la Folie, Thalie), 2015, 2022; Trompe-la-mort (Esther), 2017; Falstaff (Nannetta), 2017; Les Indes galantes (Émilie, Fatime), 2019; The Magic Flute (Pamina), 2021; I Capuleti e i Montecchi (Giulietta), 2022
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