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James F. Ingalls
Lumières
Biography
James F. Ingalls has been working with Peter Sellars since 1980, most recently on The Gambler at the 2024 Salzburg Festival. Among their other collaborations are productions of works by John Adams (Nixon in China, The Death of Klinghoffer, El Niño, Doctor Atomic, A Flowering Tree, The Gospel According to the Other Mary, Girls of the Golden West) and Kaija Saariaho (L’Amour de loin, Adriana Mater, La Passion de Simone, Only the Sound Remains), as well as Le Roman de Fauvel with the Sequentia ensemble and The Rake’s Progress at the Théâtre du Châtelet, Saint François d’Assise, Le Grand Macabre, Idomeneo, and La Clemenza di Tito at the Salzburg Festival, Theodora, The Magic Flute, and The Electrification of the Soviet Union at the Glyndebourne Festival.
He collaborates regularly with Mark Morris (L’Allegro, il Penseroso ed il Moderato, The Hard Nut, Layla and Majnun, Mozart Dances, Orpheus and Eurydice), the Paul Taylor Dance Company, and Twyla Tharp Dance. More recently, he designed the lighting for Mayday for BODYTRAFFIC in Los Angeles, as well as Endgame and The House for Druid in Galway, Ireland. He often collaborates with the dancers of The Wooden Floor in Santa Ana, California.
At the Paris Opera: Ein Herz (1990), Saint François d’Assise (1992), Maelstrom (1994), Sandpaper Ballet (2001), Tristan und Isolde (2005), Adriana Mater (2006), The Sleeping Beauty (2015), Only the Sound Remains (2016), Beatrice di Tenda (2024).
Currently in
- Palais Garnier
- from 20 January to 23 February 2025
