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Holm Keller Dramatist
Biography
Holm Keller studied theatre, music composition and history of art. From 1994 to 1996, he received a grant from the McCloy Foundation at Harvard University's Kennedy School of Government.
Since 1991, he has been working as a dramaturg on Robert Wilson's musical performances, which took him, among other places, at the Salzburg Festival (Pelléas et Mélisande, Erwartung / Le Château de Barbe-Bleue), the Théâtre du Châtelet (Œdipus Rex, Alceste, Orphée et Eurydice), the Maggio Musicale Fiorentino (Hanjo, Hagoromo), La Monnaie in Brussels (Prometeo), the Stockholm Stadsteater (A Dreamplay), National Theatre in Prague (Osud), Geneva Opera (Scourge of Hyacinthus), as well as in the centre created by Robert Wilson in Long Island, Watermill Center. Holm Keller was a senior executive at Bertelsmann's Direct Group, after an experience as a consultant for McKinsey & Company in the field of culture and media. He was also co-director of Leuphana University in Germany and now chairs the kENUP Africa foundation.
At the Paris Opera: Madama Butterfly, 1993; Pelléas et Mélisande, 1997
