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[TRAILER] THE SLEEPING BEAUTY by Rudolf Nureyev

When Rudolf Nureyev came to Paris in 1961 on tour with the Kirov, shortly before he applied for political asylum, he captived audiences at the Palais Garnier in the role of the Prince in The Sleeping Beauty. Thirty years later, he proposed a new choreography of what he considered to be “the ballet of ballets” for the Paris Opera Ballet...

[INTERVIEW] PASCAL DUSAPIN about IL VIAGGIO, DANTE

A poem of mysterious beauty, an initiatory epic, a reflection on eternal salvation, a founding text of Italian literature and a pillar of European culture, Dante’s Divine Comedy seemingly proves immune to all adaptation. Yet this is the challenge taken up by Pascal Dusapin and his librettist Frédéric Boyer as they lead Dante on a journey through the different ages of his life in search of Beatrice, who has died prematurely.

[TRAILER] DON CARLOS by Giuseppe Verdi

Verdi’s Don Carlos, commissioned by the Paris Opera where it premiered in 1867, brought a new direction to the composer’s musical inspiration: a dark and intense score, in which political, religious and moral issues stir characters in the throes of inner torment.  

[INTERVIEW] ASMIK GRIGORIAN about IL TRITTICO

Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il Tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.

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