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Opening December 3 at 2:30 p.m.

[INTERVIEW] PETER SELLARS about CASTOR ET POLLUX

A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini.  

[INTERVIEW] CALIXTO BIEITO about L'OR DU RHIN

Unique in the history of opera, The Ring of the Nibelung is the colossal tetralogy Richard Wagner worked on for thirty years. First performed in 1869, the Prologue The Rhinegold unveils from its first telluric chord a world riddled with existential questions.  

[INTERVIEW] PASCAL DUSAPIN about IL VIAGGIO, DANTE

A poem of mysterious beauty, an initiatory epic, a reflection on eternal salvation, a founding text of Italian literature and a pillar of European culture, Dante’s Divine Comedy seemingly proves immune to all adaptation.   

[INTERVIEW] ASMIK GRIGORIAN about IL TRITTICO

Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il Tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.  

[TRAILER] LA BELLE AU BOIS DORMANT de Rudolf Noureev

When Rudolf Nureyev came to Paris in 1961 on tour with the Kirov, shortly before he applied for political asylum, he captived audiences at the Palais Garnier in the role of the Prince in The Sleeping Beauty.  

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