Prices
Show / Event
Venue
Experience
No result. Clear filters or select a larger calendar range.
No show today.
Ballet
Paris Opera Ballet public class, followed by a rehearsal
with the Paris Opera Ballet dancers, on the Opéra Bastille stage
Opéra Bastille
on 27 Dec 2024 at 11:15 am
Opéra
Toï toï toï : Castor et Pollux
Meet stage director Peter Sellars and tenor Reinoud Van Mechelen
Amphithéâtre Olivier Messiaen
on 17 January 2025 at 6 pm
Opéra
Toï toï toï : L’Or du Rhin
Meet conductor Pablo Heras-Casado and mezzosoprano Marie-Nicole Lemieux
Studio Bastille
on 24 January 2025 at 6:30 pm
Opéra
Toï toï toï : Pelléas et Mélisande
Meet stage director Wajdi Mouawad and soprano Sabine Devielhe
Studio Bastille
on 24 February 2025 at 6:30 pm
Opéra
Toï toï toï : Il Viaggio, Dante
Meet composer Pascal Dusapin and mezzo-soprano Christel Loetzsch
Studio Bastille
on 22 March 2025 at 6:30 pm
Opéra
Toï toï toï : Il Trittico
Meet stage director Cristof Loy and soprano Asmik Grigorian
Amphithéâtre Olivier Messiaen
on 23 April 2025 at 6:30 pm
Ballet
Public rehearsal: Sylvia
by Manuel Legris
Amphithéâtre Olivier Messiaen
on 26 Apr 2025 at 3 pm
Ballet
Public rehearsal: Junior Ballet
Amphithéâtre Olivier Messiaen
on 17 May 2025 at 3 pm
Ballet
Public rehearsal: The Sleeping Beauty
by Rudolf Noureev
Amphithéâtre Olivier Messiaen
on 28 Jun 2025 at 3 pm
Ballet
Toï toï toï : Hofesh Shechter
Meet the choreographer
Amphithéâtre Olivier Messiaen
on 19 May 2025 at 8 pm
A return to its roots for Castor et Pollux, Jean-Philippe Rameau’s lyric tragedy first performed in 1737 at the Académie royale and inspired by the mythological episode of the Gemini.
Unique in the history of opera, The Ring of the Nibelung is the colossal tetralogy Richard Wagner worked on for thirty years. First performed in 1869, the Prologue The Rhinegold unveils from its first telluric chord a world riddled with existential questions.
A poem of mysterious beauty, an initiatory epic, a reflection on eternal salvation, a founding text of Italian literature and a pillar of European culture, Dante’s Divine Comedy seemingly proves immune to all adaptation.
Three colours, three moods, three registers. And yet Puccini conceived this triptych as a whole from the outset. He interweaves these three one-act operas, from Il Tabarro, a drama of passion set on the quays of the Seine in the early 20th century, to Gianni Schicchi, a burlesque farce set in medieval Florence, and Suor Angelica, a mystical tragedy set in a 17th-century convent.
When Rudolf Nureyev came to Paris in 1961 on tour with the Kirov, shortly before he applied for political asylum, he captived audiences at the Palais Garnier in the role of the Prince in The Sleeping Beauty.
Back to top