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© Aline Fournier / OnP
Marina Viotti first studied the flute, experimented with jazz, gospel and heavy metal, and obtained a Master's degree in philosophy and literature. She then began vocal training in Vienna, continuing at the Lausanne Conservatoire, where she obtained a soloist's diploma. Her first steps on the opera stage took her to the Opéra de Lausanne, the Théâtre de Lucerne and, as a member of the Jeune Ensemble, the Grand Théâtre de Genève. Marina Viotti was named Lyric Artist of the Year 2023 at the Victoires de la Musique awards.
Career highlights include performances as Cherubino (The Marriage of Figaro) and Dorabella (Così fan tutte) at Berlin's Staatsoper Unter den Linden, the title roles in Alceste at the Opéra de Rome and La Périchole at the Théâtre des Champs-Élysées, Nicklausse (Les Contes d'Hoffmann) at La Scala in Milan, Rosina (The Barber of Seville) at the Arena di Verona and Staatsoper Unter den Linden in Berlin, Maddalena (Rigoletto) at Teatro Real in Madrid, Angelina (La Cenerentola) at Théâtre des Champs-Élysées and Semperoper Dresden, and the title role in Carmen at Opernhaus Zurich. Marina Viotti also performs in concert, in works such as Beethoven's Mass in C, Mahler's Kindertotenlieder, Rossini's Petite Messe solennelle, Chausson's La Poème de l'amour et de la mer and Verdi's Requiem.
She made her U.S. debut with Bruckner's Te Deum and the Atlanta Symphony Orchestra, conducted by Nathalie Stutzmann. With her diverse and open recital programs, she is a guest at numerous European festivals, notably in France, Switzerland, Austria and Germany.
In the 2024-2025 season, she is Prince Orlofsky (La Chauve-souris) in Amsterdam, Charlotte (Werther) and Octavian (Le Chevalier à la rose) at the Théâtre des Champs-Élysées and Nicklausse at the Opernhaus Zurich.
At the Opéra national de Paris: Roméo et Juliette (Stéphano), 2023
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